{"id":1719,"date":"2019-11-03T17:48:28","date_gmt":"2019-11-03T17:48:28","guid":{"rendered":"https:\/\/www.basilioparedes.com\/?page_id=1719"},"modified":"2025-02-10T19:26:47","modified_gmt":"2025-02-10T17:26:47","slug":"behind-the-threshold","status":"publish","type":"page","link":"https:\/\/www.basilioparedes.com\/en\/proyectos\/arquitectura-colectiva\/tras-el-umbral\/","title":{"rendered":"TRANS HITOS"},"content":{"rendered":"

<\/p>\n\n

\n
\"CEVISAMA
Pavilion for the entrance of the Valencia Ceramics Fair CEVISAMA<\/figcaption><\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Tras El Umbral is conceived as a proposal for the reception of the ceramics fair CEVISAMA<\/a> From Valencia. The pavilion was made in response to the call for TRANS \/ MILESTONES2020<\/a>. <\/p>\n\n\n\n

<\/div>\n\n\n\n

After the Threshold. Pavilion in CEVISAMA<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\n

\nThe threshold (umbral) is a\ntransitional space between exterior and interior, has traditionally been the\narchitectural transition par excellence. It's an open space but I don't know\nYou can say that it is outside or inside when it is covered. Is a\ntransition space, and in the end transitions are the key element in\narchitectural tours\nTherefore it is proposed\nfor Trans-Milestones 2020 an exempt threshold, which will receive attendees to\nCEVISAMA allowing its passage. <\/p>\n\n\n\n

<\/div>\n\n\n\n

Materiality of the pavilion<\/strong><\/h3>\n\n\n\n
<\/div>\n\n\n\n

The main element\nThe project is ceramic, which is coated. The pottery is a\nmaterial with versatile properties, so it has some possibilities\nimmense to convey sensations in architectural finishes. <\/p>\n\n\n\n

The outside of\nour threshold must convey sobriety, although without being bland. While\nthe interior must invite the visitor to enter the space, to touch it. <\/p>\n\n\n\n

That is why I know\nchoose the cladding of the Prisma range, which in addition to having finishes\nceramic whites, have metallic. Keeping the same shape\nthree-dimensional triangularized extrusions.<\/p>\n\n\n\n

So that\nvisually we will find a space with a metallic bronze finish\npolished inwards and white porcelain outwards, with triangular relief\nIn the placated.<\/p>\n\n\n\n

The space is\nit forms as a catenary arch of 4 \u00d7 4 meters of base and 3.03 meters high. <\/p>\n\n\n\n

Constructively it\nexecuted by means of prefabricated pieces of wood and metal joined by bolts,\nwhich greatly simplifies the assembly and disassembly at the fair. <\/p>\n\n\n\n

This structure is\nThey will anchor the ceramic pieces using omega clips.<\/p>\n\n\n\n

The materials\nchosen are fully recyclable, easy construction and assembly.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Concept<\/strong><\/h3>\n\n\n\n
<\/div>\n\n\n\n

The choice of the bow\ncatenary allows us to return to the first spaces created by man\nto take shelter, the primitive cabin. Which was nothing more than coverage\nto shelter from the outside, although in itself it meant the creation of a\nspace.<\/p>\n\n\n\n

The pottery in its\nplasticity allows to synthesize sensations, that is why a finish is sought\nsober outside and bright inside. It's about generating that feeling of\nsecurity that the first constructions inspired people. <\/p>\n\n\n\n

That is the magic of the\narchitecture, the transmission of sensations through the use of space. In\ndefinitive, After the Threshold you will receive the visitors of the fair welcoming them and\nindicating the route to follow.<\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"PANEL<\/a>
Click to enlarge<\/figcaption><\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Other collective architecture projects<\/a><\/strong><\/h4>\n\n\n\n
\n\n\n\n
\n
\"checkpoint\"<\/a>
CKECKPOINT<\/strong>
Cementos La Cruz Pavilion at IFEPA 2024<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"erebus\"<\/a>
EREBUS<\/strong>
Orbital City at Ceres 2020<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"trans<\/a>
TRANS MILESTONES<\/strong>
Pavilion for access to the CEVISAMA fair in Valencia 2020<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"daedalus<\/a>
DAEDALUS STATION<\/strong>
Self-constructing space habitat in the Van Allen Belts, 2019<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"rwanda<\/a>
RWANDA CHAPEL<\/strong>
Poor Claire Noons community church in Rukomo, Rwanda, 2019<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"red<\/a>
RED LAB<\/strong>
Floating Research Laboratory in the Arctic, 2018<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"new<\/a>
NEW REMO CLUB<\/strong>
Canoeing and rowing club in Murcia, 2018<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"feel\"<\/a>
FEEL<\/strong>
Canoeing and water sports centre in Lo Pag\u00e1n, 2016<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"sandbank\"<\/a>
ARENAL<\/strong>
Arenal, hostel for artists in La Manga del Mar Menor, 2016<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"thermae\"<\/a>
THERMAE<\/strong>
Spa in Mula, 2014<\/figcaption><\/figure>\n<\/div><\/figure>\n\n\n
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\n 5\/5 - (1 vote) <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"

Tras El Umbral se concibe como una propuesta para la recepci\u00f3n de la feria de la cer\u00e1mica CEVISAMA de Valencia. El pabell\u00f3n se realiz\u00f3 como respuesta a la convocatoria de TRANS\/HITOS2020. Tras el Umbral. Pabell\u00f3n en CEVISAMA El umbral es un espacio de transici\u00f3n entre exterior e interior, tradicionalmente ha […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18061,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1719","page","type-page","status-publish","hentry"],"yoast_head":"\nTRAS EL UMBRAL - Basilio Paredes Arquitectura y Dise\u00f1o<\/title>\n<meta name=\"description\" content=\"Tras el Umbral se propone como pabell\u00f3n en Cevisama, la feria de la cer\u00e1mica de Valencia. 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